Black fingers clutch the icy crag
His gloves are shredded, his clothes wet through
He’s coming home in a body bag
Down in the valley he made the brag
he’d be the first to see the peak view
Black fingers clutch the icy crag
Halfway up, breathless, he started to lag
his legs ton weights, his face grey-blue
He’s coming home in a body bag
When he passed a corpse holding a flag
he realised the damage ego can do
Black fingers clutch the icy crag
They turned up the oxygen, carried his swag
but his speech was slurred. It was then they knew
he’d be coming home in a body bag
The highest mountain, the hardest drag
only existed for him to subdue
Black fingers clutch the icy crag
He’s coming home in a body bag
SOIL
The bedclothes soiled
no hands held
no goodbyes
like a murderer
you waited
for your own execution
until your children
grandchildren
were far away
you persuaded
the doctor
(what did you say?
you wouldn’t live
to be repellent
lose control?)
and your mind’s
sharpness
made its last cut
you wept
(though it was forbidden)
in your husband’s arms
that night
no morning
your body
removed in plywood box
carried in a ute
delivered
burnt
and dispersed
in unmarked
soil –
all over
before the animal howl
of our father,
our childish wails.
Bodiless
you fell
unstopped
for thirty years
until this year
this soil
weeping
I hold it
In my hands now
NOTES FOR SPRING
Rain clouds on bypass.
Leaning lower this year
the mulberry tree
braces itself
to do it all again.
On the development block
first casualties
of the bulldozer:
crabapple and wistaria.
Rock-fall
in the cutting shows
the Messmate roots
delving deeper.
Road duplication:
grove of paperbacks
cleared in a night.
Power substation exposed.
Ancient hoon in Volvo
cruises past
speakers blasting ‘Spring’
from Vivaldi’s Four Seasons.
Rain clouds on bypass again
Karen Phillips